महत्वाद् भारवत्ताच्च महाभारतमुचयते - It is Mahabharat
because of its greatness and largeness (adiparva 1\300).
The dictionary
meaning of Epic fits to the content of Mahabharat, and therefore we call
this an epic. It is a long poetic composition, too long, but is it an
epic in the same sense Iliad and Odyssey are considered epics?
The great
Indian epic is probably the most remarkable work in Sanskrit after the Vedas -
considering its size and diversity of content. This is largest of the epic
literature found in the world till date – equal to eight times of Iliad and
Odyssey together since 6th century AD. Evident that it was not
originally composed with 100000 verses, as it is claimed to consist of
(Ś́a̅ttasa̅hasri̅samhita̅); but growth of its size through the ages proves its
popularity since its inception. Bards as
well as poets through the ages certainly loved to add own composition to the
original story of Mahabharat, resulting its being the largest compiled epic of
the world. Obviously, Mahabharat is not grown as single homogenous work. What
is Mahabharat, then?
Mahabharat,
the core of which was known as Jaya – the song of the victory
(Jayanametitihsoyam जयानामेतीतिहासोयम्) commemorating the deeds of heroism.
The main story revolves around the Great War between Kaurava and Pandava, the
objective of which was to establish the just right of a dynasty carrying the
legacy of Bharat; the Great War which was initiated with the purpose of
retaliating against insult to womanhood; the Great War which in turn united the
far north, south, east and western part of India, that was called Bharat at the
time of its unification. The concept of Bharat could not be so overwhelming if
there was no Mahabharat. It needs a great heroic event to unify such a large
mass of land within eighteen days and Mahabharat is the narrative of that
event.
This is where
the personality of Lord Krishna, the god of love and war in Hindu mythology, is
in full bloom. Bhagavad-Gita, the most popular among all Gita texts, has been
part of Mahabharat in the form of dialogue between Krishna and Arjuna, the
teacher and student. This is the book of philosophy for both the householder
and the ascetic which became the source of varying discourses transmitting differing
worldviews through centuries.
This is of
course, a collection of verses – काव्यम् परमपूजितम् which
displays poetic excellence of many bards and poets through the ages – names of
whom are lost under the mystic shadow of Vyasdev and Ganesh. Be the names of
composer’s names known to us or not, all of them are successful in illustrating
the stillness of forests and hermitages, grace of the earth and ocean, fury in
the battlefields and pain of mothers and wives of deseased heroes.
This is built
as a treasure house of Indian lore. It can be called a collection of old tales
or Puranasamhita – पुराणसम्हिता). This
contains stories of gallant warriors
and vigorous kings, saintly monarchs and majestic sages, wise seers and
lustrous nymphs, dutiful wives and loving husbands, revengeful women and greedy
men. Stories of Harischandra-Saivya, Viswamitra-Menaka, Nala-Damayanti,
Savitri-Satyavan, Sarmistha-Yayati-Devyani are only few examples of
interpolations those not only enhance the extent of the main epic, but also
explain diversity of ancient Hindu view of life.
This is
also a manual of Dharma – duties, Artha – material wealth, Kama – pleasure and
Moksha – salvation.
Arthasastramidam
proktam
Dharmasastramidam
mahat
Kamasastramidam
proktam
Vyasenamitabuddhina
(1.2.383)
Mahabharat
expounds the concept of dutifulness of ancient Indians who did not hesitate
acting heroic in order to establish the just. It talks about wealth, acquiring which
establishes supremacy of a king on this earth. This also propagates the concept
of fulfillment of earthly desires, without which life of a householder is
incomplete. Hense this is Sastra – sacred teachings that lead the reader and
listener towards the route of Moksha at the end. Hense, Santi Parva of
Mahabharat annouces at the end of the devastative war between kins and friends:
“Guhyam
brahma tadidam vo bravimi....”(22.299.20) – There is nothing nobler than
humanity.
Mahabharat is the whole literature that became source of
inspiration to every division of knowledge-seekers including historians,
political thinkers, philosophers, theologists, grammarians, poets, playwrites
and story-writers. This is the book of great Indian myth which controls the
moral of India since hundreds of years and will continue doing so.
Picture from http://www.hindudevotionalblog.com/2013/07/vishnu-vishwaroopa-pictures.html
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